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Return to Publications
Figure in the Carpet December 2002
Vol. I, No. 1 |
| Editor's
Notes |
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When
I first arrived on the campus of Washington University in 1984, I
bought a bicycle and, much as I had in China, I cycled or walked everywhere
I went. As the traffic rushed uncomfortably close to me every morning,
however, I promised myself I’d have a car as soon as I could
afford it. When I finally purchased one, a lovingly cared for Buick,
I asked the old mechanic who had owned it what I should have done
to it. He responded quite simply, “If it isn’t broke,
don’t fix it.” This was the first time I had heard this
expression and as I thought about how I might introduce this new publication
by the International Writers Center it seemed oddly appropriate. The
International Writers Center already has a bimonthly publication—Belles
Lettres: A Literary Review, so if that publication “isn’t
broke” what is the need to publish The Figure in the Carpet?
Although Belles Lettres is by no means broken, the pace of the bimonthly
publication is closer to the leisurely morning bicycle rides I made
to class. We have decided that we need a car. So, while we will continue
to publish Belles Lettres: A Literary Review, the monthly publication
of The Figure in the Carpet will be a faster vehicle to link the campus
and those of you in surrounding communities who are interested in
arts and humanities.
One reason we are introducing a monthly publication, The Figure in
the Carpet, is the demand from local community members for a monthly
literary calendar. When Director Gerald Early sent a letter last June
to over one hundred literary organizations in St. Louis asking how
we might improve our publication, the response was unanimous: everyone
wanted a monthly calendar instead of a bimonthly calendar. Perhaps
when we “fixed” the calendar by going bimonthly, we “broke”
its continuity for our audience. As David Carkeet, director of the
MFA program of the Department of English, UM-St. Louis noted, “There
is no other calendar that has stepped in to pick up where the IWC
calendar left off.” Some people even offered to help power our
new ‘faster’ vehicle. Donna Volkenannt, President of SC-LC
Chapter of the MWG, noted that three of their members expressed an
interest in volunteering to help with the calendar if we would go
to a monthly schedule. We deeply appreciate your comments, and thank
all of you who have advertised your events in the calendar and who
have supported the IWC in the past. So, The Figure in the Carpet is
born as a response to your suggestions.
Future issues will feature news from inside and outside the campus,
comments from the network members, and the monthly St. Louis Literary
Calendar. The aim is simple: to get more people involved in making
the IWC a presence in St. Louis, to provide news about programs dealing
with the arts, writing, and literature, and to inform readers about
cultural work by university and community partners. Please tell us
what you think about this new publication by sending your comments
to iwc@artsci.wustl.edu. We will try our best to keep up with the
projects and programs around the Washington University campus and
the larger St. Louis area.
The name of this publication—The Figure in the Carpet—comes
from the title of one of Henry James’s (1843-1916) most famous
short stories. The story tells of the life-long effort by a literary
critic to identify the idea that inspires a particular author and
stretches across his work from book to book. Gerald Early, the director
of our Center, decided on this title because he thinks that is what
humanists do: try to show readers those patterns in a work of art
that they may not see. Thus, it is with much the same feeling I had
as I first turned the key to start that old Buick that we offer this
distinctive new publication.
Jian Leng, Assistant Director, IWC
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Join
us for the 1st Annual
Celebrating Our Books, Recognizing Our Authors Colloquium |
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Understanding
Body, Mind, and Country: Four WU Faculty Members Speak About Their
Books
WEDNESDAY, DECEMBER 11, 2002 AT 4 PM
FORMAL LOUNGE, WOMEN’S BUILDING, HILLTOP CAMPUS
With the support of the Dean of the Faculty
of Arts and Sciences, the IWC announces a new colloquium series
to promote the latest publications of WU faculty and students. Entitled
“Celebrating Our Books, Recognizing Our Authors”, the
sessions focus on books from across the disciplines of Arts and
Sciences, acknowledging our colleagues’ encounters with the
act and the art of writing. This will be an excellent opportunity
to learn about, read, and study what we ourselves are doing. Seventy
books by sixty-three WU authors will be displayed at this year’s
Colloquium. Our 2002 theme, “Understanding Body, Mind, and
Country,” features four faculty members discussing about their
most recent books.
I. Minds Behind the Brain: A History of the Pioneers
and Their Discoveries by Stanley Finger, Professor, Department of
Psychology
Attractively illustrated with over a hundred halftones and drawings,
this volume presents a series of vibrant profiles that trace the
evolution of our knowledge about the brain. Beginning almost 5000
years ago, with the ancient Egyptian study of “the marrow
of the skull,” Stanley Finger takes us on a fascinating journey
from the classical world of Hippocrates, to the time of Descartes
and the era of Broca and Ramon y Cajal, to the lives of modern researchers
such as Sperry. As noted by the Journal of History of Neurosciences:
“Stanley Finger succeeds admirably in providing what students
wanted to know about the ‘real people’ who pioneered
Western knowledge of the brain. What has resulted is a most interesting
and well-written account of how we have come to understand the brain
and its workings.”
II. The Health of the Country: How American Settlers
Understood Themselves and Their Land by Conevery Bolton Valencius,
Assistant Professor, Department of History
Many scholars have written about the settling of the American frontier,
but Valencius is the first to make sense of homesteaders’
intimate relationship with new and uncharted land. In doing so she
has contributed a dynamic new perspective to our understanding of
the Western migration and to the history of American medicine. Her
research focuses on the period from the Louisiana Purchase to the
Civil War, studying accounts by politicians and geologists, farm
families, visiting Europeans, former slaves, and slave owners, uncovering
widely shared notions about the interaction of terrain and human
body. Her book won the 1999 Allan Nevins Prize for best-written
dissertation in American History.
III. Reading Illustrated Fiction in Late Imperial
China by Robert Hegel, Professor, Department of Asian and Near Eastern
Languages and Literatures
Winner of the 2000 Stanislaus Julien Prize from the Académie
des Inscriptions et Belles-Lettres of the Institut de France, Hegel’s
work explores physical aspects of the printed book in late imperial
China to reconstruct the changing assumptions with which Chinese
popular novels were originally read from the sixteenth through nineteenth
centuries. It focuses on the previously neglected areas of book
format, varieties of illustrations and their significance, and the
theory and practice of reading illustrated narratives. Hegel traces
the standardization of printing techniques and how fiction was circulated.
Finally, using commentaries, prefaces, and other contemporary references
as guides he attempts to gauge how readers during those centuries
read these books with pictures.
IV. In Another Country: Colonialism, Culture,
and the English Novel in India by Priya Joshi, Assistant Professor,
Department of English
In a work of stunning archival recovery and interpretive virtuosity
that was named one of Choice magazine’s Outstanding Academic
Titles for 2002, Joshi illuminates the cultural work performed by
two kinds of English novels in India during the colonial and postcolonial
periods. Spanning the nineteenth and twentieth centuries, she vividly
explores a process by which first readers and then writers of the
English novel indigenized the once imperial form and put it to their
own uses. By analyzing the eventual rise of the English novel in
India, she demonstrates how Indian novelists, from Krupa Satthianadhan
to Salman Rushdie, took an alien form in an alien language and used
it to address local needs.
Our first annual “Celebrating Our Books,
Recognizing Our Authors” colloquium will be Wednesday, December
11, 2002, at 4:00 pm in the Formal Lounge of the Woman’s Building.
The four featured authors will briefly talk about their books and
will take questions and comments from the audience. The WU Campus
Bookstore will display all of the 63 participating WU authors’
books, which will be available for purchase. All of the authors
who present will be available to sign their books at the reception
that will follow the colloquium. The entire WU community is invited,
as are people from outside the university. Admission is free.
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Biographer Herbert Lottman will be on WU Campus |
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Reading:
Mon., Dec. 3 at 7pm, West Campus Conference Center, WU, 7425 Forsyth
Seminar: Tues., Dec. 4 at 4pm, McMillan Café, McMillan Hall,
Hilltop Campus
Herbert Lottman will be the third author in the
International Writers Center’s Writers Series: The Art of
Biography. Mr. Lottman will read from and discuss his work on Monday
evening (Dec. 2nd) at 7:00 pm at the West Campus Conference Center,
and give a presentation and answer questions on the art of biography
on Tuesday afternoon (Dec. 3rd) at 4:00 pm. at the McMillan Café,
in the Old McMillan Hall, Washington University. Mr. Lottman’s
most famous work is his definitive Albert Camus: A Biography, published
in 1979. His most recent work is entitled Man Ray’s Montparnasse.
Herbert Lottman was born and raised in New York
City, but he has lived most of his adult life in France. He first
came to Paris as a Fulbright fellow in 1949; when he returned it
was to open a European office for an American book publisher. Over
the years Lottman has contributed to a number of American newspapers
and magazines, including the New York Times, the Herald Tribune,
and Harper’s; he is now international correspondent of the
book trade journal Publishers Weekly, which has taken him to Asia,
Africa, Latin America, nearly everywhere in Europe, and even at
times to the United States. In 1991 Lottman was appointed Chevalier
of the French Ordre des Arts et des Lettres, and was promoted to
Officer in 1996.
Lottman has published a dozen books in the U.S.,
most of them also published in the U.K. and translated into French
and Spanish; a number have also appeared in German, Italian, Japanese,
Chinese, Polish, and Czech. Aside from Camus’ biography, his
best-known works include The Left Bank (in 1982), and biographies
of Philippe Pétain, Gustave Flaubert, Colette, and Jules
Verne.
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