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Figure in the Carpet December 2002
Vol. I, No. 1

Editor's Notes
  When I first arrived on the campus of Washington University in 1984, I bought a bicycle and, much as I had in China, I cycled or walked everywhere I went. As the traffic rushed uncomfortably close to me every morning, however, I promised myself I’d have a car as soon as I could afford it. When I finally purchased one, a lovingly cared for Buick, I asked the old mechanic who had owned it what I should have done to it. He responded quite simply, “If it isn’t broke, don’t fix it.” This was the first time I had heard this expression and as I thought about how I might introduce this new publication by the International Writers Center it seemed oddly appropriate. The International Writers Center already has a bimonthly publication—Belles Lettres: A Literary Review, so if that publication “isn’t broke” what is the need to publish The Figure in the Carpet?

Although Belles Lettres is by no means broken, the pace of the bimonthly publication is closer to the leisurely morning bicycle rides I made to class. We have decided that we need a car. So, while we will continue to publish Belles Lettres: A Literary Review, the monthly publication of The Figure in the Carpet will be a faster vehicle to link the campus and those of you in surrounding communities who are interested in arts and humanities.

One reason we are introducing a monthly publication, The Figure in the Carpet, is the demand from local community members for a monthly literary calendar. When Director Gerald Early sent a letter last June to over one hundred literary organizations in St. Louis asking how we might improve our publication, the response was unanimous: everyone wanted a monthly calendar instead of a bimonthly calendar. Perhaps when we “fixed” the calendar by going bimonthly, we “broke” its continuity for our audience. As David Carkeet, director of the MFA program of the Department of English, UM-St. Louis noted, “There is no other calendar that has stepped in to pick up where the IWC calendar left off.” Some people even offered to help power our new ‘faster’ vehicle. Donna Volkenannt, President of SC-LC Chapter of the MWG, noted that three of their members expressed an interest in volunteering to help with the calendar if we would go to a monthly schedule. We deeply appreciate your comments, and thank all of you who have advertised your events in the calendar and who have supported the IWC in the past. So, The Figure in the Carpet is born as a response to your suggestions.

Future issues will feature news from inside and outside the campus, comments from the network members, and the monthly St. Louis Literary Calendar. The aim is simple: to get more people involved in making the IWC a presence in St. Louis, to provide news about programs dealing with the arts, writing, and literature, and to inform readers about cultural work by university and community partners. Please tell us what you think about this new publication by sending your comments to iwc@artsci.wustl.edu. We will try our best to keep up with the projects and programs around the Washington University campus and the larger St. Louis area.

The name of this publication—The Figure in the Carpet—comes from the title of one of Henry James’s (1843-1916) most famous short stories. The story tells of the life-long effort by a literary critic to identify the idea that inspires a particular author and stretches across his work from book to book. Gerald Early, the director of our Center, decided on this title because he thinks that is what humanists do: try to show readers those patterns in a work of art that they may not see. Thus, it is with much the same feeling I had as I first turned the key to start that old Buick that we offer this distinctive new publication.

Jian Leng, Assistant Director, IWC


Join us for the 1st Annual
Celebrating Our Books, Recognizing Our Authors Colloquium
  Understanding Body, Mind, and Country: Four WU Faculty Members Speak About Their Books

WEDNESDAY, DECEMBER 11, 2002 AT 4 PM
FORMAL LOUNGE, WOMEN’S BUILDING, HILLTOP CAMPUS

With the support of the Dean of the Faculty of Arts and Sciences, the IWC announces a new colloquium series to promote the latest publications of WU faculty and students. Entitled “Celebrating Our Books, Recognizing Our Authors”, the sessions focus on books from across the disciplines of Arts and Sciences, acknowledging our colleagues’ encounters with the act and the art of writing. This will be an excellent opportunity to learn about, read, and study what we ourselves are doing. Seventy books by sixty-three WU authors will be displayed at this year’s Colloquium. Our 2002 theme, “Understanding Body, Mind, and Country,” features four faculty members discussing about their most recent books.

I. Minds Behind the Brain: A History of the Pioneers and Their Discoveries by Stanley Finger, Professor, Department of Psychology
Attractively illustrated with over a hundred halftones and drawings, this volume presents a series of vibrant profiles that trace the evolution of our knowledge about the brain. Beginning almost 5000 years ago, with the ancient Egyptian study of “the marrow of the skull,” Stanley Finger takes us on a fascinating journey from the classical world of Hippocrates, to the time of Descartes and the era of Broca and Ramon y Cajal, to the lives of modern researchers such as Sperry. As noted by the Journal of History of Neurosciences: “Stanley Finger succeeds admirably in providing what students wanted to know about the ‘real people’ who pioneered Western knowledge of the brain. What has resulted is a most interesting and well-written account of how we have come to understand the brain and its workings.”

II. The Health of the Country: How American Settlers Understood Themselves and Their Land by Conevery Bolton Valencius, Assistant Professor, Department of History
Many scholars have written about the settling of the American frontier, but Valencius is the first to make sense of homesteaders’ intimate relationship with new and uncharted land. In doing so she has contributed a dynamic new perspective to our understanding of the Western migration and to the history of American medicine. Her research focuses on the period from the Louisiana Purchase to the Civil War, studying accounts by politicians and geologists, farm families, visiting Europeans, former slaves, and slave owners, uncovering widely shared notions about the interaction of terrain and human body. Her book won the 1999 Allan Nevins Prize for best-written dissertation in American History.

III. Reading Illustrated Fiction in Late Imperial China by Robert Hegel, Professor, Department of Asian and Near Eastern Languages and Literatures
Winner of the 2000 Stanislaus Julien Prize from the Académie des Inscriptions et Belles-Lettres of the Institut de France, Hegel’s work explores physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of reading illustrated narratives. Hegel traces the standardization of printing techniques and how fiction was circulated. Finally, using commentaries, prefaces, and other contemporary references as guides he attempts to gauge how readers during those centuries read these books with pictures.

IV. In Another Country: Colonialism, Culture, and the English Novel in India by Priya Joshi, Assistant Professor, Department of English
In a work of stunning archival recovery and interpretive virtuosity that was named one of Choice magazine’s Outstanding Academic Titles for 2002, Joshi illuminates the cultural work performed by two kinds of English novels in India during the colonial and postcolonial periods. Spanning the nineteenth and twentieth centuries, she vividly explores a process by which first readers and then writers of the English novel indigenized the once imperial form and put it to their own uses. By analyzing the eventual rise of the English novel in India, she demonstrates how Indian novelists, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs.

Our first annual “Celebrating Our Books, Recognizing Our Authors” colloquium will be Wednesday, December 11, 2002, at 4:00 pm in the Formal Lounge of the Woman’s Building. The four featured authors will briefly talk about their books and will take questions and comments from the audience. The WU Campus Bookstore will display all of the 63 participating WU authors’ books, which will be available for purchase. All of the authors who present will be available to sign their books at the reception that will follow the colloquium. The entire WU community is invited, as are people from outside the university. Admission is free.


Biographer Herbert Lottman will be on WU Campus
  Reading: Mon., Dec. 3 at 7pm, West Campus Conference Center, WU, 7425 Forsyth
Seminar: Tues., Dec. 4 at 4pm, McMillan Café, McMillan Hall, Hilltop Campus

Herbert Lottman will be the third author in the International Writers Center’s Writers Series: The Art of Biography. Mr. Lottman will read from and discuss his work on Monday evening (Dec. 2nd) at 7:00 pm at the West Campus Conference Center, and give a presentation and answer questions on the art of biography on Tuesday afternoon (Dec. 3rd) at 4:00 pm. at the McMillan Café, in the Old McMillan Hall, Washington University. Mr. Lottman’s most famous work is his definitive Albert Camus: A Biography, published in 1979. His most recent work is entitled Man Ray’s Montparnasse.

Herbert Lottman was born and raised in New York City, but he has lived most of his adult life in France. He first came to Paris as a Fulbright fellow in 1949; when he returned it was to open a European office for an American book publisher. Over the years Lottman has contributed to a number of American newspapers and magazines, including the New York Times, the Herald Tribune, and Harper’s; he is now international correspondent of the book trade journal Publishers Weekly, which has taken him to Asia, Africa, Latin America, nearly everywhere in Europe, and even at times to the United States. In 1991 Lottman was appointed Chevalier of the French Ordre des Arts et des Lettres, and was promoted to Officer in 1996.

Lottman has published a dozen books in the U.S., most of them also published in the U.K. and translated into French and Spanish; a number have also appeared in German, Italian, Japanese, Chinese, Polish, and Czech. Aside from Camus’ biography, his best-known works include The Left Bank (in 1982), and biographies of Philippe Pétain, Gustave Flaubert, Colette, and Jules Verne.


 
 



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