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Return to Publications
Figure in the Carpet November 2004
Vol. III, No. 3 |
Published monthly by The Center for the Humanities
at Washington University. Financial assistance for this project
has been provided by the Missouri
Arts Council, a state agency, and the Regional
Arts Commission.
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| Editor's
Notes |
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The
Diaries of Children and the Construction of Childhood
In a web search through the international
news, I came across a story that initially stopped me in my electronic
tracks, and then made me wonder why I found it so powerful. The
story was a follow-up to the siege at No. 1 School, in Beslan, Russia,
that took place from September 1st to 3rd. The outlines of the siege
and its consequences are, by now, well known. Striking right after
opening day ceremonies, heavily armed terrorists stormed into the
school and held some 400 students, teachers, and parents hostage.
The article, which appeared as a Chinese translation from the German
newspaper Bild, described the diary a thirteen-year-old
girl named Christina wrote during the time she, her sister, and
her mother were held hostage in the school’s gymnasium. Christina
calmly chronicles a rapidly deteriorating chain of events. The first
day she notes that everyone was allotted only a small drink of water
and complains of being limited to a ‘one minute’ trip
to the bathroom. The second day she writes that all the adult men
were taken out and killed and that rain poured down on the roof
so hard that no one could sleep. The third day, she notes that her
10-year-old sister Sheila asked her mother when the president would
come and save them and goes on to describe her sister crying for
food and water, and then, because she could not be quieted, being
killed by the terrorists.
This story reminded me of another thirteen-year-old girl who wrote
a diary some sixty-two years ago. Anne Frank had two years to write
about her life. Anne was forced into hiding from the Nazis when
her sister was ordered to report to a labor camp during the Holocaust.
She and her family spent 25 months during World War II secluded
in an annex of rooms above her father’s office in Amsterdam.
This seclusion did not protect Anne from the knowledge of what was
happening around her. She wrote, “Our many Jewish friends
and acquaintances are being taken away in droves. … We assume
most of them are being murdered. The English radio says they’re
being gassed.” Another excerpt almost presages Christina’s
situation; “Have you ever heard the term ‘hostages’?
That’s the latest punishment for saboteurs. It’s the
most horrible thing you can imagine. Leading citizens – innocent
people – are taken prisoner to await their execution. If the
Gestapo can’t find the saboteur, they simply grab five hostages
and line them up against the wall” (October 9, 1942).
The experiences of these two girls are obviously vastly different.
Christina survived the school siege and Anne died in Bergen-Belsen
concentration camp nine months after she and her family were arrested.
Still, an important similarity is that they both left written records
that provide a child’s eye view of events that defy description
by adults. Another similarity is that both stories are powerful
to us because they were written by children. Our reaction to a child’s
diary of these horrific events is immediate and almost involuntary.
Childhood is a social category that we consider qualitatively different
from adulthood, a special and vulnerable stage that we seek to protect
against the pain of adult life. Yet, it was not always this way.
The French historian, Philippe Ariès, was among the first
to demonstrate that while children are present in all cultures their
presence has been and still is regarded very differently in different
times and places. In the West, the image of children moved from
small adults to creatures of innocence and weakness only some four
hundred years ago. This particular vision of modern Western childhood
is both historically and culturally specific, but the power of that
vision is found in the extensive globalization of Western ideas
of childhood. It is a power we do not fully understand but that,
for better or worse, political factions around the world have used
and still employ to further their own ends.
Childhood as a category imposed on children ignores the subtleties
in the life of individuals on their road to adulthood. No matter
how young, children are active participants in the courses of their
own lives. Children themselves react to and actively affect the
reality that faces them on a day-to-day basis. The experience of
childhood is, of course, stratified by such things as class, age,
gender, and ethnicity, by urban or rural backgrounds, and by particularized
identities created for children through religious and cultural beliefs.
We can see Anne’s urbane and intellectual family background
in her writings. We can also see that Anne reflects on her role
as a child: “Am I really only fourteen? Am I only just a silly
school girl? Am I really so inexperienced in everything?”
We do not see, however, the passages her father thought were mere
teenage musings and inappropriate for public consumption. He deleted
these, perhaps because he found them incompatible with his goals
in releasing the diary. In these passages Anne probably described
what it was like to be a child during a time where even the weak
and vulnerable were exposed to the harsh realities of the adult
world. What we know of Christina’s background suggests she
is less urbane than Anne and her brief experience as a diarist allowed
her no time to develop anything but the most superficial description
of events. Her short text also contains drawings of fantastic animal
shapes that suggest she was struggling with the surreal nature of
events surrounding her. I do not question the horror of her experience,
but it might be again that the international publication of her
diary is meant as much to appeal to our emotions about the politics
of the event as about her experience.
While the history of childhood has been explored by scholars for
some forty years, and the political uses for far longer than that,
we are only beginning to appreciate all the differences between
childhood and adulthood. Some differences are artifacts of social
and cultural ideas developed over the past four hundred years, others,
like recent discoveries about the maturation of the brains of teenagers
and their intense and often self-destructive behavior, are rooted
in human biology.
These issues and the literature that has sprung up around them stretch
across human experience. Washington University will offer opportunities
for active participation in discussions of such topics through an
interdisciplinary Children’s Studies Minor coordinated by
the Center for the Humanities and involving the departments of English,
African and Afro-American Studies, Education, History, and Psychology.
Children are the living messages we send to the future, so it is
important that we understand and appreciate the institutions that
shape those messages.
Jian Leng, Assistant Director
The Center for the Humanities
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When
Are You Going to Write a Real Book?
Visit Missouri Romance Writers to
Find Out |
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I was an “orphan” for the first ten
years of my publishing career. By that I mean that I lived in an
area with no other writers of popular fiction. Ironically, I was
surrounded by published authors including my own husband, Dr. James
Henke, Ph.D. But their works were scholarly. Although I, too, was
a university instructor for many years in the Ohio system, I published
fourteen paperback novels before Jim took an early retirement so
we could return home to St. Louis. This was where I found my “writing
family”— Missouri Romance Writers of America (MORWA).
At last I had a local chapter of my national professional organization.
I still remember the day I went to my first meeting in the spring
of 1994. Back then we met in the Holiday Inn at Lindbergh and I-55.
Being from North County, I became hopelessly lost and was late,
but everyone welcomed me during the break between the business meeting
and program, which was a very informative panel about mass market
book buying by wholesalers and big chain stores. I had the opportunity
to meet not only professionals in the book trade, booksellers and
distributors, but also to form friendships with other published
and yet-to-be published writers. No longer was I asked by my colleagues
in the English and history departments, “When are you going
to write a real book?” The readers and writers of
MORWA believe paperbacks are not only real but loads of fun.
During the past ten years MORWA has been an invaluable place to
learn and to share my own hard-won experiences with others who pursue
the same dream—to be published in genre fiction. I stress
all genres of popular fiction even though Romance Writers of America
was formed to promote romance. Over the years many New York
Times bestselling writers have moved from a strictly romance
background to reach an even wider readership: Sandra Brown, Nora
Roberts, J.D. Robb, Susan Elizabeth Phillips, LaVyrle Spencer and
Tess Gerritsen, just to name a few. One of RWA’s “Hall
of Fame” authors, Eileen Dreyer, is a MORWA member who now
writes medical thrillers that regularly appear on USA Today bestseller
lists.
Our programs cover a wide range of topics and several times a year
we present all-day workshops. I’ve been co-chair of programs
for the past year with my friend Karyn Witmer-Gow, who publishes
as Elizabeth Grayson. We’ve had fascinating speakers entertain
and inform us. Kathy Maxwell, a New York Times bestseller,
gave a day-long workshop on career management and goal setting in
today’s publishing industry. My husband, Dr. James Henke,
a Wash U alumnus who has published numerous scholarly books and
articles on Renaissance Drama and Young Adult fiction, spoke on
“Kissin’ Frogs—Archetypes in Folk Fairy Tales.”
Jim explained how these stories handed down through the ages undergird
all varieties of popular fiction. Of course, it made me a bit nervous
until he proved to be every bit as brilliant as he had assured me
he’d be. A long-time friend and true veteran of popular fiction
who began her writing career in the 1960s, Roberta Gellis gave a
program on research. Since Robbie has published dozens of Medieval
romances, sci-fi, fantasy, and mysteries and now has a historical
mystery series in hardcover, she knows every trick to track down
elusive information.
“A Crime Panel to Die For” was the title of our spring
day-long workshop. Of all the projects I’ve worked on for
MORWA in the past decade, I was most proud of this assignment. With
considerable help from Eileen Dreyer and my co-chair Karyn, I assembled
experts from various law enforcement and forensic fields: Dr. Mary
Case, M.D., Chief Medical Examiner for St. Louis, St. Charles, and
Jefferson Counties; Harry Spiller, now a criminology professor who
served two terms as sheriff of Williamson County, Illinois; Sergeant
Joseph Burgoon, who recently retired after a distinguished career
as a St. Louis PD homicide detective; Dr. Reena Roy, DNA Technical
Leader at the St. Louis County Police Crime Laboratory; Thomas E.
Bush III, the Special Agent in Charge of the St. Louis Field Office
of the FBI; and Lt. John P. Podolak, Scene Commander with the St.
Louis PD’s Hostage Response Unit. We had everything but a
corpse.
Our organization strives to offer educational opportunities to published
and unpublished writers. I have enjoyed mentoring several people
during my tenure with MORWA, critiquing their manuscripts, rejoicing
when they make their first sales and offering consolation when they
receive rejection letters. I remind them that I could paper the
walls of my house with all the rejections I received before selling
my first book. All our published authors give generously of their
time to help others make that first sale, including judging several
writing contests we run annually.
In November, MORWA is offering a program by Carmeline Utz, a licensed
psychotherapist, entitled “Boys and Girls Together: A Therapist
Looks at Male-Female Relationships.” We meet every third Saturday
of the month at the Barnes & Noble, 9618 Watson Road. Programs
begin at 11 a.m., and there is a five dollar visitor’s fee.
If you write fiction or dream of writing fiction, please come for
this program. I promise you won’t be an “orphan”
any longer.
Under her own name USA
bestselling author Shirl Henke has published twenty-six historical
romances and romantic suspense paperbacks with Dorchester, Warners,
Penguin and St. Martins Press. She is currently under contract with
Tor Books for two hardcover political thrillers. Corrupts Absolutely
will be out in April, 2005 under her pseudonym, Alexa Hunt.
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| The
SmartSet Series: Where Great Writers Read |
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The
Center for the Humanities’ SmartSet Series: Where Great
Writers Read continues on November 8-9 with Wil Haygood,
one of the nation’s leading African American biographers.
A staff writer for the Style section of the Washington Post,
Haygood was a feature writer and national and foreign correspondent
for the Boston Globe for 17 years. As well as being a Pulitzer
Prize finalist, he has been honored with the Sunday Magazine
Editors Award, the New England Associated Press Award, the National
Headliners Award and the National Association of Black Journalists
Award, which he received three times. Haygood has served as writer-in-residence
at Ohio State University and Visiting Writer at Colorado College
and has received numerous distinguished literary fellowships. A
graduate of Miami University, Oxford, Ohio, and a resident of Washington,
D.C., Haygood has published four books: Two on the River; King
of the Cats: The Life and Times of Adam Clayton Powell Jr.,
(a New York Times Notable Book); The Haygoods of Columbus:
A Family Memoir (awarded the Great Lakes Book Award); and
In Black and White: The Life of Sammy Davis Jr.
Wil Haygood will read and sign his work at 8 pm on Tuesday,
November 9, in Room 204, Anheuser-Busch Hall (Law
School). He will discuss his writing and the art of biography at
4 pm on Wednesday afternoon, November 10, in the McMillan
Café (Room 115), Old McMillan Hall on the Hilltop
WU Campus. Receptions follow both events, which are free and open
to the public. Books will be available for purchase at the events.
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| Day
of the Dead Beats: November 1 |
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The
annual celebration of Beat poetry, Day of the Dead Beats, takes place
in the gallery adjacent to Dressel’s Pub Above (419 N. Euclid
in the Central West End) on Monday, November 1, at 7 p.m. The event
is free and open to the public.
The live performances of dead Beat poets - Jack Kerouac, Allen Ginsberg,
William S. Burroughs, Charles Bukowski, Richard Brautigan, Gary Snyder,
Dianne DiPrima, LeRoi Jones (Amiri Baraka), Gregory Corso, and Herbert
Huncke - by local writers, actors, musicians and personalities was
started in 1997 following the death of Allen Ginsberg, and has been
held every year since. Past participant Brett Underwood is coordinating
the event.
As November 1 falls on the eve of Election Day, this year the program
has been slightly shortened. Call 771-0986 for information. The
event will be recorded by Double Helix Television and KDHX for future
broadcast. |
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